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Big Orange Slide

Monday, May 21st, 2012

Loving low-tech type

April 6, 2010 by Patrick Robinson

Illustration by Brian Ross

From eco-friendly type to Kindle font rendering, seems like these days it’s technological innovation that drives all the hot type talk. But at least one prominent typographer is getting back to basics and thinking outside the Mac – and cheese, that is.

For graphic designer Marian Bantjes, playing with food is more than kids’ stuff – as evidenced by her growing collection of type made from everyday materials such as sand, sugar and pasta.

Earlier this year, Bantjes presented at the TED conference in Long Beach, California, where she shared what she referred to as a “transformational personal story to pursue a more personal approach to her work.”

“These days I call myself a graphic artist,” she said. “[But] where my work as a graphic designer was once to follow strategy, my work now follows my heart and my interests – with the guidance of my ego – to create work that is mutually beneficial to myself and the client.

“This is heresy in the design world. The ego is not supposed to be involved in graphic design. But I find that for myself, without exception, the more I deal with the work as something of my own, as something that is personal, the more successful it is as something that’s compelling, interesting and sustaining.”

Thanks to one like-minded designer, Stefan Sagmeister, many of us will have already seen Bantjes work in his book Things I’ve Learned In My Life So Far. He’s also on record saying that Bantjes is one of the most innovative typographers working today.

Many designers have been influenced and inspired by hand-drawn type dating as far back as Toulouse-Lautrec’s Moulin Rouge posters. Many more will likely find inspiration with the release of Bantjes upcoming book, I Wonder.


If you’d like to see Marian Bantjes speak, keep an eye on the TED.com site for the release of her talk. Or see her live at this year’s Design Thinkers conference in Toronto. She’s the first confirmed speaker.

Applied Arts Interactive awards

April 5, 2010 by Big Orange Slide

Illustration by Colin Craig

Applied Arts magazine has released its 2009 interactive awards. Among those recognized, some great Grip projects:

Big Orange Slide: The Grip Limited Blog
Civic Nation
Happy Planet Shots
Honda: Blue Skies for our Children
Kokanee Beer website

Congrats to all involved!

We’ve said it before, but in case you missed it: Awards are valuable for a couple of reasons. They’re a nice pat on the back. They let you know how you’re performing in the industry. They get people excited about doing great work. And they let clients know that the quality of their work is at a competitive level.

How to be Social: Part 2 – Twitter

April 1, 2010 by Jacoub Bondre

Illustration by Brian Ross & Haley Fiege

Welcome to Part 2 in our series on “How to be Social.” Part 1 covered the basic rules of social interaction for brands. Part 1.5 looked at a recent incident where a brand didn’t follow the rules, and the consequences of that decision. Over the next few posts in this series, we’ll introduce some of the key technologies and venues at play in the social space.

Let’s start with a technology that has recently been suggested to deserve a Nobel Prize for its role during the 2009 Iranian election unrest.

Twitter, like many social-media technologies, is called a “micro-blogging” platform.

From the everyday minutia of your life to the big ideas behind life, you can broadcast whatever you want on Twitter – all in ultra-short bursts. You can draw attention to your latest blog posts by sharing a link. You can start a topic trend with a hash tag (“#”). And you can speak directly to another user by using the “@” character.

Every time you Tweet something, those 140 characters are sent out and appear in your follower’s twitter feeds. Conversations on Twitter resemble a disorganized classroom:

Jane Doe shouts something out, and if someone finds the little chunk of an idea interesting, they may shout back with an @ or a #. But for all the promise of “conversation,” real conversations are rare on Twitter. For the most part, users shout out thoughts, ideas, and commentary in a one-to-many ratio.

So, how does a brand get in on the action?

It starts with this insight: people follow people (or brands) when they are interested in what that person (or brand) has to say.

Well branded Twitter feeds need to serve at least one of three purposes. They should be either:

1. Entertaining
2. Informative
3. Useful

1,600,000 people follow @ThatKevinSmith because he is funny.
27,633 follow @CBCNews because of the information it provides.
I follow my apartment building so I can be updated on issues pertaining to the building (utility).

People follow me, I hope, for all three reasons, though it could be out of pure unadulterated pity.

Let’s take a look at two brands and how they use Twitter:

@myStarbucksIdea
Starbucks combines offers (Useful), new product information (Informative), and thoughtful/thought-provoking ideas. They have more than 12,000 followers, and are following about 12,000 people. Next, let’s look at Skittles.

@Skittles
Skittles has about 1,000 followers, and are following 0 people. They have a steady stream of clever and often funny Skittle-related Tweets. Skittles also based their entire interactive campaign in the social space, putting ad dollars and press releases behind the initiative, which brings me to my next point.

The rules I outlined in Part 1 apply here too. In other words, it’s not solely what you do, but how you do it in the social space. Starbucks has nearly as many followers as it follows. It has a reputation of responding (and quickly) to mentions, and actively engages with its followers.

Skittles did/does not. And just as quickly as the press releases came out promoting its social media efforts, so too did the articles about its apparent failure. Just type “Skittles social media experiment” into google and you will get a slew of them. Here is one I just randomly picked out: When Skittles Met Twitter. Skittles not only broke the rules, they didn’t even apply them. They ignored the social aspect of social media.

Another way a brand can interact in the Twitterverse is by joining mass conversations. Twitter has trending topics. When users attach a # or @ to a key word in a post it becomes searchable by Twitter and other users. When many users use # or @ on the same keyword or phrase, the topic begins to trend up.

You will often also see people post something to the effect of, “Great conversation about the Olympics here: #Olympics.” Users and brands can then search for #Olympics and join a mass conversation about it. This, in my opinion, is a huge untapped opportunity to engage users and gather more brand stewards. If a brand starts or joins into a mass conversation about a topic relevant to that brand’s core audience, the opportunity for meaningful engagement is massive.

As with all social media marketing, a brand needs to be agile and skilled to exploit these opportunities. Active mass conversations occur spontaneously and sporadically and usually last from 30 minutes to a few hours. Some conversations last longer, for example, those that correspond to major events such as the Iranian elections or the earthquake in Haiti.

Brands also need to be cautious about the type of mass conversations they engage the public in, and how they interact in those situations. My suggestion would be to act like an MC, guiding the conversation, and contributing in small benign ways, allowing the public and your stewards to really drive the conversation.

Twitter is a unique and powerful social interaction tool. It is a potent combination of widely broadcasted ideas, and small personal interactions. This unique mix provides interesting opportunities for brands. Happy Tweeting.


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