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Big Orange Slide

Thursday, February 23rd, 2012

Culture Shock: Part 5 – Influence is the new authority

August 31, 2011 by Jacoub Bondre

Illustration by Julia Morra

“Influence” – one of the big buzz words in the social space for 2011.  It’s a word that marketers are intimately familiar with – just ask pysop.tv.

But as is the case with many words adopted by the digital community, the meaning has been beaten about a bit.

Influence can be calculated through the probability of message amplification, which is measurable by tools like PeerIndex and Klout. Though each of these services has its own algorithm to do all the complex math bits, the premise is pretty simple: measure the ratio between talking and engagement, and multiply the result by the size of your network.

For example, Klout knows that I have 700+ followers on Twitter, 2500 tweets, 200 unique mentions, and x number retweets. Based on this information they give me a Klout score of 61 (give or take). They give a 35% likelihood that my content will amplify, with a possible reach of 15,000+ people.

Klout may believe that I am a “key influencer,” but that may not necessarily be the case. It might just be that I am good at finding content from other influencers. The reality is that content is king: its the links, thoughts and memes that are the spreadable commodity. So while “reach” is a form of influence, it isn’t the primary type of influence that individuals or brands should seek out if they’re looking to shift perceptions or spur action.

So how can you influence behaviour? Studies show us that consumer behaviour is most readily influenced by peer opinion. Marketers’ first instinct has been to use social media to amplify their brand messaging, in the hopes that consumers who share that message will radiate credibility to their friends. But this is only partially true, because its really the content of the share that will influence further sharing. If it is apparent that a consumer is being incented to share crappy content, the credibility of that content decreases. Concurrently, if the brand lacks credibility, the likelihood of pickup also decreases.

But how do you establish that credible, shareable presence? It’s a massive question, but a partial response can be found in studying consumer behaviour. And here we see something we already knew: people’s consumer behavior is altered by their friends, because they trust their friends, and generally appreciate the content that they share. So the short answer to the holy grail of gaining credible influence? Be true to your brand image, and dole out great content.

I can’t therefore stress the importance or expansive nature of “content,” which can be regarded as anything the brand is offering to its consumers. The “value” of content may be intangible (in the service of entertainment, creating emotional connection, or otherwise haloing the brand), or more obviously geared to improving consumer experience (loyalty programs, retail experiences or utilities). Each of these pieces plays a role. Eliminating things like commercials or digital engagement experiences removes a piece of the influence-building puzzle, because its this content that provides hooks for amplification.

The social space is the new reality of the consumer. When they see a product that they really like, a commercial they find funny or have a great or horrible experience at a store, they communicate it on mass to their friends and networks. And even then, they will probably only do so if the content feels authentic.

The most obvious way to pave the way to authenticity in your brand’s communications is to act in a consistent manner to the message you are delivering. But remember even if your brand strives to be authentic, you must still earn the trust of the consumer by offering:

1) Consistency: Try to consistently deliver content that resonates with the consumer. It also means consistently engaging with the community, and making an effort to reach into the other communities your consumer engages in.

2) Agility: The perception of authenticity is heightened by the speed and accuracy with which a brand responds. Say the right things quickly, and avoid sounding scripted.

3) Repayment: Followers volunteer time to consume the brand’s content. Pay that time back. Consider spreading information about relevant local events over Twitter, or drawing attention to a fan’s content (art, music).

The combination of solid content and an authentic, engaged presence is what paves the way to influence. In the end, the consumer votes with every tweet, every comment, every like, and every purchase. Influence comes from the community deciding whom they trust enough to follow, believe and ultimately buy from.

Are there any other ways in which you feel a brand can gain influence?

Which came first: a consumer’s desire to interact with a brand online, or a brand’s invitation to interact?

August 30, 2011 by Big Orange Slide

Please add your comment below.

What’s in a name?

August 25, 2011 by Jeff Collins

Illustration by Nancy Ng

This post was inspired by two recent events: the first being the ever-constant struggle I have with naming characters in scripts (for some reason I often seem to default to Gary and Linda), and the other being a bet I had with a friend as to whether or not Jason Lee was a Scientologist.

Let’s start with the latter.

Somehow in the course of conversation a friend of mine stated, “I want to like Jason Lee, too bad he’s a Scientologist.” Not willing to accept that the funny guy from Mallrats believes that we’re all descendants of aliens, I wagered against this theory. A quick trip to his Wikipedia page unfortunately proved me wrong. It also taught me that Lee has a son named Pilot Inspektor (clearly he is not as “together” as I had previously assumed).

The name Pilot Inspektor gets me thinking about the amount of, shall we say, “unconventional” baby names we’ve seen from celebrities over the years. Off the top of my head came some of the more recent A-list offspring like Apple, Kal-El, Knox and Suri. Probing deeper, a Google search revealed entire lists of names you wouldn’t ordinarily expect to find on a birth certificate: names like Kyd, Ocean, Rocket, Jermajesty, Audio Science and Moxie Crimefighter – to list a few.

Let’s switch gears back to the former struggle.

Knowing how influenced we are by pop culture today and knowing how, now more than ever, many of these kids will grow up to be famous themselves (either by combining their hereditary good looks and talent with a lot of hard work, or the by the more traditional method of releasing a poorly shot sex tape), I began to wonder how this could affect the names we use in our work. Would I have to abandon the “Gary” and “Linda” of my scripts in exchange for “Hopper” and “Denim”?

Will the day come when the name on an incoming call screen in a spot I write have to be “Lark Song” instead of “Sarah”?

Will we be responsible for our brands not being relevant, not being hip to the times, if we don’t one day adopt this practice of novelty naming? Or, is what the rich and famous name their kids always going to be about as relevant as the cosmic catastrophes that befell the Thetans? With all due respect to Scientologists of course…

Just a thought. Talk amongst yourselves.

Finally, something for me to actually like on Facebook

August 24, 2011 by Dave Hamilton

Illustration by Julia Morra

Last summer I wrote, with admitted enthusiasm, about an ambush marketing stunt by Dutch brewer Bavaria at the FIFA World Cup in South Africa. This summer it is an upstart German Airline named Germanwings that has caught my attention – the attention of many, many others – with a Facebook Places ambush.

Instead of paying for an expensive exhibition booth at ITB Berlin (the world’s largest travel tradeshow), low-cost carrier Germanwings used Facebook Places to create check-ins at each one of its competitors at the fair. When someone checked in at an airline’s booth, their status update would read something like “Air France: France for a bargain price is only available from Germanwings,” or “Air Berlin: You’ll get to breathe Berlin air cheaper with Germanwings!

The check-ins and hidden messages were distributed to the visitor’s Facebook friendsvia their newsfeeds, amplifying the reach of this cheeky campaign.

Ambush marketing is not something we associate with trade shows. We generally see it during the World Cup, the Olympics, TIFF and other high-profile events when advertisers try to associate themselves with the event, without having to pay exorbitant sponsorship fees (Google “ambush marketing” and you’ll find plenty of great examples.)

In the case of the Germanwings stunt, it’s not only innovative, but superbly targeted and marries offline to online in a way we’d all love to see more of.

Watch the video for yourself and see whether you appreciate their effort as much as I did.

Are you still using Google+?

August 23, 2011 by Big Orange Slide

Please leave your response in the comments section below

Dinner with Obama? Maybe I’ll bring up this debt crisis thingy…

August 22, 2011 by Harvey Carroll

Illustration by Nancy Ng

I spend a great deal of time talking about brands. Whether the conversation is held with our clients, fellow Grippers, or even with friends who share my fascination with marketing and consumer dynamics, it seems the question of how to build brand equity is a consistent topic.

Many conversations of late have revolved around whether contests and promotions build or undermine brand equity in the long-term. As with many debated in the marketing world the answer is frustratingly non-specific: “it depends.”

Contests and promotions offer brands an opportunity to provide value. In doing so, they have the potential to build affinity with their consumers by rewarding them for being advocates of, or participants in, the world of their brand. It is seemingly, and frequently, positive for a brand, especially when the contest or promotion links well to the objectives and, more importantly, the positioning of the brand. There are a multitude of examples of brands effectively using contests or promotions to build interest with consumers in a way that “fits” with how consumers see the brand.  Generally, these tactics – and they are tactics – work as long as the brand avoids some of the common pitfalls, namely over-reliance on price discounting, confusing mechanisms or high barriers to participation, etc.

Then there are the moments when brands run a promotion that is inconsistent with their consumers’ expectations. And yes, that can be damaging. Frankly, these examples are more fun to look at; in fact, one in particular was the influence behind this post.

A while back a friend forwarded me an email. The first thing that caught my attention was the subject line: “Dinner?”

Hmm, I thought. I do like a good dinner.

The ante was upped a bit when I realized that it had been forwarded, and that the original sender was President Obama. While we must acknowledge that Obama is a person (an American actually – thanks to Mr. Trump for clearing that up), we must also recognize the extent to which he has become a brand. In fact, his equity was strong enough to win him the 2009 Nobel Peace Prize before he had done anything (aside from offer relief from the Bush Jr. administration.) At any rate, it’s safe to say that there is a certain tone of prestige and gravitas that I would associate with the Obama brand.

You can imagine my surprise when I realized that this email was essentially contest spam.

The body of the email explained that any donation over $5 to the administration would enter the donor into a draw for a dinner with the President himself. I am not kidding. It gets weirder when you read the poorly drafted faux messages from the man himself:

“I’ve set aside time for four supporters like you to join me for dinner”

“Most campaigns fill their dinner guest lists primarily with Washington lobbyists and special interests. We didn’t get here doing that, and we’re not going to start now.”

And my favourite: “This won’t be a formal affair. It’s the kind of casual meal among friends that I don’t get to have as often as I’d like anymore, so I hope you’ll consider joining me.”

That’s right, a nice casual dinner at the White House with the President with his “friends” who, if you remember, were picked by random lottery after donating a minimum of $5.

I initially thought this email was a joke. It seemed so out of character that my first reaction was to laugh. Then I felt sad. This is a prime example of how to damage the equity of your brand. It seemed less “Obama” than it does “Russell Oliver.”

Hard to believe, but it got worse when I realized that it wasn’t a one-off. A mere 6 days later, my friend forwarded me another email from Joe Biden checking in to make sure that we don’t miss out on this great opportunity. Joe seemingly went to the same writing classes as Obama:

“I’m reminded every week that sitting down for a meal with the President of the United States — without TV cameras or a big crowd — is something only a few people will ever get to do.”

He even signed off by wishing us luck!

The debate will continue as to whether contests or promotions build or diminish a brand’s equity over time. Clearly some, like this spam campaign, can do damage. On the whole though, I think they are a powerful tool when used correctly. They drive the desired behaviour (usually sales) and build brand equity. My one piece of advice would be to ensure that promotions alone aren’t doing the heavy lifting of building your brand. Strive to make this the case, and you will be much more likely to create something of value to the brand as well as the consumer.

You will also avoid embarrassing incidents like the team Obama email.

The situation around “The Situation”

August 19, 2011 by Amy Saba

Illustration by Ryan Dzur

When my alarm wakes me up each morning I take about 10 mins to catch up on news, sports scores and Twitter.  A few days ago, the Twitter trends read like my personal joy report: “Abercrombie and Fitch” and “The Situation.” In just 5 mins, 112 new tweets would appear for just one of these trends.

Flashback:  My friends and I are gathered eagerly in front of the TV for our weekly dose of Jersey Shore (I know you’re totally judging me right now). On a commercial break, my friend says, “I wonder if “The Situation” has a deal with A&F.  He’s been wearing their clothing A LOT in this season.”  We all had our reservations and theories about the supposed endorsement deal. A couple days ago we got our answer.

If you haven’t already heard (impossible if you are in advertising), it would be my pleasure to share the news that Abercrombie & Fitch has requested that “The Situation” wear another brand’s clothing.  Not only that, but they are willing to pay for the certainty of it. They even offered up the deal to the other Jersey Shore cast members. A&F says in a news release that it’s concerned that having Mike “The Situation” Sorrentino seen in its clothing could cause “distress” to their many fans, and “significant damages” to the brand image. Frankly, I agree.

When I think of the A&F brand, I think gorgeous, half-naked jocks playing rugby, or surfing the west coast shores. In every Abercrombie retail experience, you’re greeted by models who mirror this self-same image. The brand equity team must have felt their brains crack when they noticed that one of Jersey Shore’s fake ‘n baked, greasy, mysogynistic drunks were becoming the poster boys of their brand. I’m almost positive that anyone would agree that with the Jersey Shore’s viewership, Sorrentino could pretty much destroy A&F’s carefully crafted brand image.

How is MTV taking the news regarding their hit reality TV series?  Read this rebuttal, where MTV calls the Jersey Shore cast “sensitive reality TV icons.” Whether this is a publicity stunt or not, I agree with A&F’s proposed deal to the Jersey Shore cast.  In their eyes, and many others, they represent cultural oblivious at its worst. Endorsing them (or, in this case, being endorsed by them) is like silent assent to their mindlessness. I applaud A&F for addressing this particular “situation” by slapping back and identifying them as the douchebags they are.

What do you think? Is Abercrombie in the right? Or is any public endorsement a potential boon for a brand?

Food for Thought: Timing is everything

August 18, 2011 by Matt Holton

Illustration by Josiah Bilagot

It’s a frantic Friday afternoon. Your RSS tells you that there’s a new Big Orange Slide post.

How often have you been too busy to read a post in its entirety? At this point in the week, most of us are preoccupied with wrapping up work, and dreaming about the weekend. You may not have the capability – or be in the mood – to consume long form content.

The oh so important variable we as marketers sometimes overlook, is whether or not a consumer is “in the market” to receive our message. The timing and relevance of communication is key. Imagine a window of communication opportunity before every consumer purchase. Advertising’s job is to influence. Good timing is placing the right message in that window of opportunity.

Take the Nike “Earl and Tiger” ad that surfaced in April of 2010. There has been a lot of debate surrounding the content of this spot, but what it really had going for it was timing and relevance.  The spot dropped one day before the Masters and shortly after Tiger’s personal life became very public.  A bold statement from the brand, delivered days after multiple major sponsors abandoned the golfer. Just when everyone was expecting Nike to pull the plug, the brand publicly stood by its marquee pro, and brought the partnership to a new level.

Food For Thought: How can we rethink the importance of timing when developing our next campaign or media plan? How can we hone in on just the right moment of our consumer’s day?  How can we quickly capitalize on what’s relevant right now? How can we deliver an already powerful message at a precise moment  - making it even more impactful?

The Ultimate Act Of Marketing Heresy

August 17, 2011 by David Chiavegato

Illustration by Brian Ross

If public stonings were to be held for flouting certain unwritten laws of marketing, the high priests would have no hesitation to cast the first stone for the violation of one commandment: thou shall not adulterate the logo. From young and chaste assistant brand managers to venerable Chief Marketing Officers, the logo is treated with a certain religious reverence unequaled in the church of marketing. Thou shall not change its colour. Its shape. Its context. Its orientation. There are literal “bibles” written to ensure the purity of this sacred and hallowed symbol.
But what if a company were to commit blasphemous and unnatural acts with their logo? Surely, they would damned to an eternity of poor performance for their sins. Well, one company has turned their back on this particular religion. For many years, Google has been altering the appearance of their logo, often in a dramatic fashion. They have managed to desecrate it in every way imaginable. Font type and treatment. Colour. Composition. Sometimes to the point where the actual company name is unrecognizable (you’ve probably seen or “played” the cryptic Les Paul Google logo). As of this year, there have been over one thousand logo treatments.

What has been the result of these unholy transgressions? Did the earth open up and swallow Mountain View? Was Google plagued by apocalyptic business results? Not quite. Google remains almost god-like in their omnipresence, not to mention their growth. In fact, a result of their eschewing orthodoxy with playful and surprising logo treatments is that Google seems a little less “evil” and a lot more human and approachable as a brand. Which perhaps shows us, that even with certain sacred marketing conventions, they need not be followed with blind faith. In fact, it even pays to play the role of a heretic every now and then.

Making “making” easier

August 16, 2011 by Jon Finkelstein

Illustration by Brian Ross

When developing advertising ideas, simplicity is usually a prerequisite; we are, after all, familiar with the old K.I.S.S adage (keep it simple, stupid). Somehow, it’s not always the case when developing applications. We often catch ourselves jamming in more functionality than is necessary.

Take Blurb.com. I am a huge fan of this book making service. HUGE. But even though I am an incessant picture-taker and love the idea of Blurb’s self-publishing platform, I’ve only used the site to make one book. Why? The process of making it is too complex and time-consuming. To Blurb’s credit, their BookSmart™ app is robust in terms of layout, size, and template options. I find the selection process of photos and templates paralyzing.

Perhaps Blurb sensed this, because in a stroke of brilliance they came up with an easy solution to get people like me to make more books. By tapping into the immensely popular social photo sharing app Instagram, you can now make an “instant book” to match your instant photos. Just link your account, push a button and all your photos are magically laid out into a special square-shaped book. K.I.S.S at its paradigmatic best.

Naturally you can edit the book, rearrange the shots, or choose from a few simple layouts. But Blurb must have purposely limited the options to match the simplicity of Instagram itself. Guess what? I’ve already made two books.

I think there are two lessons for us here. The first: remember to keep your ideas and executions simple. Granted, this is easier said than done when technology enables limitless functionality. So be vigilant. The second: tap into existing behaviours/technology whenever possible. Blurb must have seen an opportunity to leverage Instagram’s massive popularity and simple UX, and then created an app to match. Absolutely brilliant.

So what are you waiting for? Go make a book!