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Big Orange Slide

Wednesday, May 23rd, 2012

Grip Ltd presents: 101 Thoughts on Advertising: Part 4

December 9, 2010 by Big Orange Slide

Illustration by Brian Ross

We have reached the fourth installment of our ongoing series of mess o’ thoughts on advertising. And the cosmic dance…goes on. This week, Grip suspects that

Advertising is:

32) pop art with a purpose.

33) the sum total of ads + vertising.

34) best when included in the manufacturing process.

35) worst when it accepts any lowest common denominator.

36) the evolution of word-of-mouth.

37) evidence of the false dichotomy between art and science.

38) typically the product of someone starting a sentence with “what if…”.

39) about turning emotion into business.

40) love/hate. And then hate/love..

41) at its best, a threat to the art world – and its worst, a threat to public intelligence.

Grip Ltd. presents: 101 Thoughts on Advertising: Part 3

November 19, 2010 by Big Orange Slide

Illustration by Brian RossWelcome to the third installment in our ongoing series of reflections, snippets, and miscellaneous impressions of advertising. This week, we suspect that

Advertising is:

22) a love/hate relationship – and not just for the public.

23) where artists go to not make art.

24) one of the few places a writer can make a decent living.

25) what advertising does.

26) a force that needs to move faster than culture itself.

27) at its best when fearless.

28) about shining flashlights into corners.

29) a gene pool of people who work hard and play harder.

30) driven by deadlines more than we care to admit.

31) here to stay.

Grip Ltd. presents: 101 Thoughts on Advertising: Part 2

November 2, 2010 by Big Orange Slide

Illustration by Brian RossTwo weeks ago the Big Orange Slide introduced a new series of collected thoughts on advertising, culled from the pulsating brains at Grip Limited.

And now, the series continues.

Advertising is:

12) a product of liquor and guessing.

13) going to drive innovation, not the other way around.

14) soul destroying and intensely gratifying – often in the same day.

15) strangely dependent on focus groups despite thousands of Facebook fans who offer their opinions for free.

16) to retail what a grease-paint moustache is to Groucho Marx.

17) more difficult than it looks from the outside in.

18) a craft, not an art.

19) an industry made up of mostly great people – but a few too many assholes.

20) way more fun than actually working for a living.

21) its own big idea.

Grip Ltd. presents: 101 Thoughts on Advertising

October 22, 2010 by Big Orange Slide

Illustration by Brian Ross

What are they on about now?
People love lists. From the Ten Commandments to the inspired hilarity of McSweeneys, lists unite random elements into something that feels cohesive, organized, and harmonious – words that don’t often characterize the day-to-day of the ad industry.

And what a day-to-day it is. We are consumed by our trade. We talk about it, blog about it, criticize and poeticize it. When it comes to what people in advertising think about advertising – well, there is no shortage of material there.

Over the next few weeks, The Big Orange Slide will be cataloguing 101 Thoughts on Advertising, a collection of musings from the hard-working folks here at Grip Limited. This list will be published anonymously, out of the order of submission, and without an eye to drawing grand conclusions.

We hope that at the end of it, Grip will have a document as diverse and tangential as the industry we belong to.

And now, we begin.

Advertising is:

1)  a reflection of our country’s economic health. If you see a lot of it, we’re doing well.

2) no longer about talking at people, but with them.

3) why I have all these grey hairs.

4) all fun and games until someone cries.

5) about problem solving.

6) something that, when done well, can deliver value to both the brand and the consumer.

7) one of the most hotly contested and passionately defended careers out there.

8) only as good as the insight that drives it.

9) at its best, equal parts creativity and science.

10) a lot like “Mad Men.”

11) nothing like “Mad Men.”

We are the medium and the message

August 5, 2010 by Ameet Acharya

Illustration by Mark Herd

Don’t hate me for quoting Marshall McLuhan before noon. I know it’s one of those unspoken rules, like “don’t call before 9 a.m. on a Saturday,” or “don’t microwave fish at work.”

I was thinking about Understanding Media: The Extensions of Man the other day, the seminal McLuhan work that has driven cultural theory students to Advil for decades. When McLuhan said “the medium is the message,” he was defining how the form of a medium embeds itself in the message, creating a symbiotic relationship by which the medium influences how the message is perceived.

Getting nightmare flashbacks of those college electives yet? I’ll get to my point now.

I work in the interactive industry, a playground of tools, web apps and devices that frame our relationship with the rest of the world. Every hour, we are introduced to more. These applications act as the medium by which we voluntarily inundate ourselves with messages. We shape them to optimize how much we can get, how quickly, and from where. We are not simply receiving messages through the medium – we are customizing our capacity for receiving as many as possible.

This is especially true with social networking. If 500 million Facebook users are any indication, we’re building our media to indulge our need for messages about ourselves. I’d argue that Facebook isn’t the medium anymore, it’s the people that drive the Facebook ship forward. In some ways, we’re the medium that was so famously described by Marshall McLuhan.

How much more can we push the mechanisms to drive content into people’s minds and actions? McLuhan also said “invention is the mother of necessities.” If that’s the case, then we’re piloting ourselves into an age where constant access to information – and to each other – is a psychological necessity. How many other avenues are available to us to learn from each other, sell each other, or stalk each other?

If “each other” is the medium and the message, how much more can we interact with each other without impacting how we interact with each other offline?

Now where’s my iPhone? I have to condense this post into 140 characters.

Social media marketing gone wrong

October 2, 2009 by Adam Luck

orangina

Orangina has a reputation for fun, envelope-pushing campaigns. Remember those risqué European TV spots? The social media-savvy Facebook promos? That iconic teardrop bottle? What’s not to love?

I was intrigued, then, to read of a new promo Orangina is running on Facebook:

“Amateur photographers from across Canada are invited to participate in Orangina’s The Art of Refreshment photo contest.”

Cool. How does it work?

“…Canadians have the opportunity to create images that capture the essence of Orangina…”

Good product. Good brand. Interesting idea. So how is it that the promo ended up leaving me with a bad taste in my mouth?

1. They left me stranded.
When I click on the link, it lands on a page with a bit of info about the promo, but no link to go anywhere – basically leaving me stranded. There’s an “Enter” tab at the top of the page, but it’s not in line with the contest copy. (To be fair, they’ve since changed the link to go directly to the contest entry page.)

2. They gave me too much to read.
Once I found the entry page, the volume of text was overwhelming. This is online, right? Short. Attention. Spans.

3. They made it hard to participate.
When I click to submit a contest entry, it took me away from Facebook and asked me to cut and paste the contest entry form and submit it via email? Email? No submit button? What century is this?

4. They left me feeling used.
My biggest beef is that this promo amounts to a thinly veiled research exercise. Orangina is trawling for consumer-generated mood boards to help them define how I feel about the brand’s key positioning pillars: “The iconic bottle,” “The emotional essence,” and “the look and feel.”

Maybe I’m not the target for this. But I wonder who is? Consumers who are wired in enough to be entering a Facebook contest, but not savvy enough to spot a brand monologue masquerading as a dialogue.

You ask me, the whole brand’s just gone pear-shaped.